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Zora Neale Hurston

Born January 7, 1891 - Died January 28, 1960

Hurston was born in Notasulga, Alabama, but she grew up in Eatonville, Florida. Eatonville was an all-Black city, and the unique culture of here affected her life and writing significantly. At a young age, Hurston left home to work and began working with a traveling theatre company. In 1917 she began attending the Morgan Academy in Baltimore to finish high school. In 1920 she began attending Howard University while working as a manicurist to support herself. Her very first publication was featured in Howard University’s literary magazine.

 

After graduating in 1925, she moved to New York City where she became involved in the New Negro movement. In New York she began studying anthropology at Barnard College under the supervision of Franz Boas, a renowned scholar. It is here where she developed her study of folklore, using Eatonville as her case study. She also traveled throughout the South and Caribbean conducting interviews and documenting Black folklife. These influences can be seen in her writing.

Quotes

"Negro folklore is not a thing of the past. It is still in the making. Its great variety shows the adaptability of the black man: nothing is too old or too new, domestic or foreign, high or low, for his use." 

"Characteristics of Negro Expression" (1934)

"I have been amazed by the Anglo-Saxon's lack of curiosity about the internal lives and emotions of the Negroes, and for that matter, any non-Anglo-Saxon peoples within our borders, above the class of unskilled labor. [...] National coherence and solidarity is implicit in a thorough understanding of the various groups within a nation, and this lack of knowledge about the internal emotions and behavior of the minorities cannot fail to bar out understanding."

"What White Publishers Won't Print" (1950)

Works by Zora Neale Hurston

Plays

Color Struck (1925)

The Mule Bone: A Comedy of Negro Life in Three Acts (1931)

De Turkey and de Law: A Comedy in Three Acts (1930)

Meet the Mamma: A Musical Play in Three Acts (1925)

Spunk (1935)

Poker! (1931)

Woofing (1931)

Lawing and Jawing (1931)

 

Novels

Their Eyes Were Watching God (1937)

Jonah’s Gourd Vine (1934)

Moses, Man of the Mountain (1939)

Seraph on the Suwanee (1948)

 

Nonfiction

“How It Feels to Be Colored Me”

“What White Publishers Won’t Print” (1950)

Mules and Men (Collection of Folklore) (1935)

Tell My Horse (1938)

Dust Tracks on a Road (Autobiography) (1942)

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